TOUT SUR PROMOTION DES NOUVEAUX TALENTS

Is it sacrilege to declare that the best-looking spectacle set in Paris was shot by a deux of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French fonds – as well as the neoclassical edifices of Mussolini’s Rome – in relax Chagrin and shards of light as sharp as the knives wielded against the left-wing profe